Showing posts with label ch 1. Show all posts
Showing posts with label ch 1. Show all posts

Monday, March 18, 2013

Beyond marriage? Other primal signs that benefit from The Theology of the Body




From the book:
The challenge of the Theology of the Body for theologians is that to speak of the re-reading of the body is not to work in the realm of metaphor. Metaphor has an honored place in religious language, but to speak of the ensouled body as a pre-given language is more primal than metaphor: the creation of the human being, by a God who graciously communicates in every means possible his desire for union with humanity, is its own sign that points to God, a pre-verbal language that is seen most clearly through the lens of Christian revelation. But as spiritual sign, there are other primal human experiences that benefit from the insights of the Theology of the Body: the act of giving birth, the reality of being limited (or impaired), and the process of physically dying. Indeed, if the ensouled body is natural and intentional sign, then these realities not only could have meaning, they do communicate meaning. The question is not whether they are meaningful, but rather, what do they mean? As “first language,” the sphere of the sign must be taken seriously as essential to understanding God's plan for the universe. John Paul reflects on this reality to evocative effect in the second half of the audiences: what it means to be man, woman, and called or not called to earthly marriage. But as spiritual sign, there are other primal human experiences that benefit from the insights of the Theology of the Body: the act of giving birth, the reality of being limited (or impaired), and the process of physically dying. Indeed, if the ensouled body is natural and intentional sign, then these realities not only could have meaning, they do communicate meaning. The question is not whether they are meaningful, but rather, what do they mean?
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The text continues as a constructive project: what would it mean to interpret childbirth, impairment, and dying as primordial spiritual signs? How could the background and insights of the Theology of the Body literature help us to perceive the spiritual reality of these three experiences? My presumption is that these realities are not on the same level as John Paul's reflection on the sign (and sacrament) of marriage. But they are vocational realities, like marriage. They are calls to God. And I will argue that they were designed or shaped by God to draw us to Himself, through entering the depths of the law of the ekstasis. They express the reality of our call to receive and to give. As such, they are spiritual signs to ourselves and the world of God's continuously enticing love.

Tuesday, November 13, 2012

How does art help us perceive reality in the light of God?




From the book:
If you look at the Knippers’ Isaiah in the Temple (see right, cropped version), you see the nudity of body and the nudity of spirit expressed through the body.  Isaiah, encountering the spiritual world breaking through within the Temple, is unclothed, arms thrown in a position of charged energy and vulnerability, open to this inbreaking reality.  He is allowing himself to be impaled by a visibly invisible spirit’s coal of fire, pressed to his lips to purify him to speak God’s word.  Meanwhile, incense smoke—a symbol of prayer rising to God as well as sign of God’s presence among us[1]--floats gently in the foreground.  Knippers presents a wholly fleshy Isaiah, body expressing a posture of prayer and amazement before God.  The cubist-inspired ribbons of color and light are his language for the transformative spiritual realm “beyond the veil,” where our eyes (in this case literally) cannot rest and see the Divine: we sees fragments, pieces of a whole, and cannot quite put it together.[2]

John Paul II on Michelangelo and Edward Knippers note two things: that what we see is important, and the posture we take to what we see is critical.  The human artist can see, and help others see, reality in the light of God: as Knippers says:  “I have maintained over the years that art is not merely self-expression but an exploration of a reality greater than the Self. I have also maintained that the artist should be concerned about the most profound parts of that reality, not just play in the shallows.”[3]  John Paul is, if anything, more direct: “Artists are constantly in search of the hidden meaning of things, and their torment is to succeed in expressing the world of the ineffable. How then can we fail to see what a great source of inspiration is offered by that kind of homeland of the soul that is religion?”[4]  Artists, through sign and symbol, are able to help us interpret the deeper reality imbued in what we see.

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Perception is the first move of participation in reality.  To that end, I want to address a very different form of perception by which we encounter the Holy Spirit: Ignatian prayer....

[p.s. great essays on Knippers' art and theology at Theology Forum, populated by Protestant friends in faith: http://theologyforum.wordpress.com/2008/11/03/art-incarnation-%C2%BB-artist-statement-by-edward-knippers/ ]




[1] For example, smoke as reaching to God, see Psalm 141: 2 “Let my prayer be incense before you”; smoke as presence: the smoke enveloping Mount Tabor signaling the presence of God in Exodus 19:18.
[2] A more philosophical take on this phenomenon—art that trends toward Cubism, an attempt to catch reality the moment it is seen, fractured and without form--see Maurice Merleau-Ponty’s seminal essay “Cezanne’s Doubt” in Sense and Non-Sense, trans. Hubert L. Dreyfus and Patricia Allen Dreyfus (Evanston, IL: Northwestern University Press, 1964).
[3] Edward Knippers, “On Art and Incarnation: on art and ‘not playing in the shallows’,” Theology Forum (blog), Nov. 7, 2008, http://theologyforum.wordpress.com/2008/11/07/edward-knippers-%C2%BB-art-incarnation-5-on-art-and-not-playing-in-the-shallows/ .